Row, row, row your boat
gently down the stream
merrily, merrily, merrily, merrily
life is but a dream
...Traditional Folk Round
Marimba, n. [from afr. (Bantu) marimba, malimba, pl. of limba, a kind of musical instrument.] A musical instrument somewhat like a xylophone, often consisting of a series of hard wooden bars, usually with resonators beneath, played by being struck with small hammers. The tuned bars may also be of bamboo or, rarely, human bone.
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Where are we?
There is a world behind this world
and a world behind that world
and so on
Meaning in this world is given
by the fact of the hidden world
layer upon layer
each making real
the last
One world is a vulva
One world is a snake
The next is a spiral
The next is a child
Each realm is sacred
a labyrinth
a mask
We are always asking
“How can this be so?”
There is no beginning
there never was
and no ending
There are no actors
only Chaos dreaming
But let us pretend
enjoy the illusion
If you agree
then this is how it happened
The nights...
well, there were no nights
no blind solace
The days...
well, there were no days
no necessary fictions
There was only
seething, roiling, monstrous potentiality
Chaos, the Python
Chaos is both father and mother
inseparable VoidWave
divinely bisexual
gesture without embodiment
enthralled by sinuous, writhing
creative intention
fucking fertile imagination
in an orgy of awful ferity
Their child is Eros
Eros is a horny boy
can’t keep his hands off Wave, his mother
If you think this is Freudian
you may be right
Your church doesn’t want you to know
that Cain murdered Abel
for his mother’s cleft
a crime of passion and perversion
Eve always liked Abel best
With arrows of concupiscence
from a quiver of necessity
tremulous Eros seduces Wave
From Shakti and Intention
spring forth Light and Form
From Luminosity and Matrix
spring Matter, Mind, and Poem
The poetry of drama
the dream, the myth, etched now in stone
Eros burns
and so we are always burning
Lou Diamond Phillips is burning
Milla Jovovich is burning
The rain forest is burning
Men are chaotic
aching for containment
Women are wounded
aching for combination
Psyche cannot live alone
what’s the point?
It’s boring
Life is not a lozenge to be sucked
Psyche must open her legs
Eros has no objection
Each will search the worlds
for their lover...and discover
the other
The cosmos is a reflection
on the curvilinear convection
of a teardrop
in the eye of Dionysus
Tears on the Maenad’s cheeks
Salty tears from a corporeal spring
enough to fill a sea
Tears for ablution
what is real cries tears of need
There is no serpent in the sea
The serpent is the sea
Python covers the earth
as one body covers another
Is it possible then
to know the Mother?
If you can imagine the Goddess
you have not found her
You are but blinded by desire
Annihilation in coitus
is the beginning of life
What progeny
is anyone's guess
Succor, a child,
or a hornet’s nest
The only thing we know is this
we are betrayed by desire’s
impossible promise
Pricked into mind, so given life
vexation, discord, misery, and strife
intemperance, vengeance, oaths, and lies
treaty, altercation, battle, and pride
anger, terror, fear, and doom
old age, death, oblivion, and fate
Minor gods, it’s true
yet dour
Perhaps we could negotiate
We are pierced to the mind
by the arrow of time
We remember the past
but not the future
To keep us from being frightened to death
of the knowledge
that everything happens
all at once
in one breath
'Tis human folly to run away
to hide from ourselves
ululate and pray
Our free will is this and this alone
to accept our unalterable destinies
or rage against a truth unknown
We think that we can save ourselves
From what?
That is the question
There is nowhere to run
and nothing to hide
Who can expedite salvation?
The gods cannot help us
they are as weak as we
All they can give us
is divination
which in the end
is the key we need
The gods are deaf
entreaty is useless
To demonstrate is their primary purpose
what is, always was, and what will be
spontaneous existence
TimeSpace
undivided by memory
Knowledge of this
will set us free
On the soaring peaks
the high Andes of the New World
the Inca defeated the Chanca
whose people defeated the Nazca
Everyone sacrificed Huaca
the children whose mummified bodies
are found on the cones of the living gods
the mountains
Illampu and Sajama
The VoidWave underlies all of this
Sun and man
arose from the bliss
of Illampu-Ancohuma
and his wife, Lake Titicaca
Behind the yellow sun
the black Creator Sun
who precedes all form
including his own
From the House of Breast Milk
the father sun
Creative Intention
inseminates his daughter
Fertile Imagination
by a beam of light into her eye
She bears Pachamama
the Earth
the breeze, sea, and sky
Blood is like rain
it makes things grow
Women must bleed
and so must men
to feed the sun
and begin again, both human and earth
without absolution
there is no solution
no rebirth
I hear flutes
a lyre
and drumming
Hush!
A man and a woman are coming
A tiger is crying amber tears
for on this stage they shall face their fears
Our priapic Eros
and kytotic Psyche
The man you might know
if you’ve been to Machu Picchu
He was the tour guide
there to greet you
The last quipu reader
a cultural shaman
on the edge of extinction
a Marxist guerrilla
a man in transition
This aesopian man
is charged with the breadth
of unity, tradition
dreaming and death
He drives the tour bus
and prays to Wiracocha
to whom he offers sacrifice
fruit, feathers
maize, and coca
To look at him you could not see
that government troops are not amused
by the man’s attempt to subvert
and abuse
the trend toward Christ and Coca-Cola
He is accused of being
an anachronism
a transgression which threatens
life in prison
In the magistrate’s version
I think it’s true
he once tenderly strangled
a twelve year-old virgin
Each time, each tribe
has disposable members
The Quechua, a girl,
Capitalism
its workers
Communist guerrillas
are his only friends
Sendero Luminoso
is just a beginning
a cry, a rebellion
that will spell his ending
He runs and hides
acquires a gun and a camouflage suit
trains with his cadre and learns to shoot
The altiplano is wild and harsh
in his tall Andean home
Distance becomes color
a faded blue
then paleness
then nothing
A man has three things to call his own
his cock, his history,
his bones
The troops have finally had enough
of radicals and talking tough
They round up the shamans
the tour bus driver
the Marxist left
and open fire
Blood roses bloom on white-washed walls
The bullets are wasps whose sting is sleep
Men twist and struggle, then they fall
The man lacks respect
for the icons of culture
He worships the wind
and its brother the vulture
Cosmology can’t stop the slaughter
He spins and staggers
overcome with grief
downhill to the river
de las animas perdidas
He ties himself securely
to a small yellow raft
For a shining moment
on the Shining Path
fear parts like a curtain
as the current takes him
down the great dark Apurimac
the river of lost souls
through the Acobamba Abyss
Fate has cast him
far and fast
The sun never shines
on this savage ride
in a treacherous chute
twisted and tossed
nearly lost in a canyon
only thirty feet wide
and three thousand feet deep
Three days and three nights
of cold, wet thunder
whirlpools, rocks falling
TimeSpace torn asunder
He glances up once
at a woven grass bridge
sees a llama
a peasant
staring transfixed
Apu Rimac is the river
the oracle, Great Speaker
whose voice is pandemonium
who screams without caring
if anyone hears
your name, your wife’s lover
your disease and your future
the number of beats that are left in your heart
the day and the hour your throat will be cut
Great Speaker has taken
our shining friend’s brain
scooped it out
and filled him with pain
The pitiful raft
careens drunkenly
at greater velocity
into a night
of greater atrocity
He shits
the river takes it away
He pukes
the river takes it away
He pisses
the river takes it away
He bleeds
the river takes it away
takes it away
When the man’s arms and legs
are plum colored mush
his sanity rises
and floats in a dusk
of warmth, of silence
quietly watching
insanity screaming
in the jaws of a vortex
of liquid violence
Nothing remains
neither love nor lust
just empty mind peering
through eyes that won’t shut
His body near death
when the river gorge opens
and the chrysalis dawn
births
bright-winged morning
The battered raft calls for attention
sweeps by too quickly
for close inspection
from the thicket banks
where the jungle begins
Another day, twelve hours long
the man is burned by the blazing sun
He is shocked, catatonic
beyond fight or flight
The raft and its cargo
come to beach
at a river bend
on empty sand
The breathing world
manifests macaws
to dip and swirl
above the boat
above the man
A bushmaster viper slips in beside him
rests for an hour
uncoils and leaves again
Eyes watch closely
from leafy shade
Nothing happens here
that is not observed
Nothing happens anywhere
that is not deserved
Hands lift the man
and carry him deep
into the riotous entropy
of a jungle keep
The man appears to be epicene
inchoate and moribund
Yet a feathered dark gnome
whose specialty is necromancy
provides a kedge for the man from hell
The Shuar hunters confer and agree
what must be done
must be done quickly
To take his head
and capture his power
or to save his life
and unravel his skein
to save his soul
and reweave his dream
The powerful shaman
Ti Kakaram
wears a necklace of shrunken heads
tsentsas taken during incursions
into distant lands
for souls and women
the two most important things
or perhaps
they are the same
His wives surround him
his dogs and his birds
Around them, his hunters
who all carry shotguns
muzzle-loaders
supplementing their blow-guns
darts and quivers
Their flutes and hand-claps
echo up-river
Old shaman drinks beer
made from manioc root
and fermented with
his youngest wife’s spittle
He roasts a howler monkey
skewered over fire
just singeing the hair
skin blisters
mouths water
Our hero lies quietly supine
unhinged in the circle’s center
The red dirt floor
is his temenos
wherein only one may enter
Bereft of sight
bereft of thought
he will leap from world to world
under the protection of his mentor
Dreadful Doctor sucks the smoke
of Amazon tobacco
and blows it into Hero’s heart
his belly and his asshole
his balls, his head
parietal and temporal
occipital and suture
Hummingbirds hover, pausing in flight
and spirits gather ‘round
Night has fallen
the camp is lit
by men with copal torches
The solemnity
of buzzing flies
is replaced in the dark by animal cries
The medicine doctor boils the pot
of the visionary drug
Banisteriopsis
The dregs are dried
and carefully mated
with another plant, Datura
Everyone is invited to witness
even Anteater and Piranha
the humble paean
of a shamans oeuvre
to the gods Jaguar
and Anaconda
Drug Chief chants
“I go where there is a great waterfall
I go where there is a great waterfall
It emerges where the mountains become stone
this waterfall will give me strength
I hope that with this long journey
I shall have an encounter
in order to have an interesting life
in order to have an interesting life”
“I, I, I
I, I, I
my body is cold
and thus I have power
How beautiful it appears
when I have power
My thoughts are birds
Their bodies and wings are dreams
I, I, I”
Even the dogs eat hallucinogens
they will participate in the vision
shared by everyone in the tribe
the women, men, and children
The drug chief exhalates
trumpets, yes, trombones
yaje, the ayahuasca snuff
into the nostrils, sinuses, lungs
into Shining One’s brain
The man twitches and shivers
convulses and shudders
Strings of green mucus pour from his nose
as Tsugki, first shaman
Lord of the River
steps out of a rift
between the worlds
of whirlpool-rapids and industry
of synesthesia and idiosyncrasy
Tsugki opens his horrible mouth of foam
out of which wriggles Yakamama
Great Anaconda, Mother of Water
She sings
“Behind him I come
I am calling
from under the river
I come swimming
Now I am here!”
The jungle shimmers efflorescently
Rainbows arc from vine to tree
The air is rent
with the fulminate shriek
of Naiwa, the Jaguar
come to seek
his council place
to fill the man
whom Tsugki has emptied
Puma sings
“Behind him I come
I am calling
From out of the forest
I come howling
Now I am here!”
Snake and Tiger double-chant
“Our gift to you is shedding of skin
Our gift to you is prescience”
The ancestors float
from out of the heavens
in boa-boats
on the River of Milk and Semen
Germinator Person
stands above all
a good-mouth-that-is-speaking
The speaker who names
all that exists
Our deracinate hero giggles witlessly
“Life would be different in Cuzco,” he thinks
“if we’d arrived in canoes
woven of serpents”
Maybe we did
It accounts for gangsters
video games and dirt-track racing
the tangled world
going around in circles
The man’s trance is disturbed
by upheaval within
and a split in his skin
from chin to groin
out of which cleavage
a music commences
exquisitely graceful and resonant
felt and tasted
more than heard
Through eyes as large
as the moon is loud
for music is sight
and the rhythm of life
he watches the player
emerge from his breast
His body turns itself inside-out
The player’s name is
Nothing-But-Bones
Nothing-But-Bones
is slapping his ribs
rubbing his sinews
in an articulate concert
like a one-man band
in a pueblo square
We hear children laughing
glaciers melting, an opening flower
lips touching to kiss
He dis and re
assembles his bones
to make a marimba
and raps out a tune
The euphonious sound
the subtle vibration
is the VoidWave's voice
The sound of the wind
that blows between worlds
Each of us always
is making this music
calling one world to another
Searching for the one
with whom to sing
for in finding the other
we find our lover
the missing piece, the duet partner
for whom we were born
Bones has a lover
a wife and a partner
Alone-In-The-Darkness
Grandmother of Days
Dark and fresh, she suckles the man
holding him pressed to her teat
She fills him with knowledge
and under her tutelage
he learns the secret of time
Grandmother gives him a hair from her head
a glowing clue, a silver thread
to find his way in strange extensions
“Come!” she demands
takes his hands to lead him
on a voyage into the night
She creates a turn in an odd direction
neither up nor down
neither left nor right
They sail over Iquitos and Tabatinga
then Belem glitters below
across the Atlantic in a single breath
decades, then centuries, and eons slip past
the clue, like a comet
trailing behind
The deserts of North Africa
are merely an ecru blur
Keep on moving, never... Stop!
Frozen in rapture
on an inland sea
the man hears the music
for the very first time
calling to him in his bones and mind
Like a SETI antenna
he turns to find
the source of his joy
his ecstasy
On the slopes of Mount Parnassus
near Delfi, Hriso, and Kirra
cicadas drone
and the blue rock-thrush
flits through oaks
whose leaves have voices
A woman wanders
picking fennel
her hands and forearms smell of licorice
She’s thin and dusty
a yellow-haired waif
naked but for a cerulean cord
woven around her waist
She lives among monuments, Cyclopean
has never had a lover
The villagers do not speak of her
they are frightened
perhaps it’s not possible
The girl is a hierodule
a galactophagic temple-slave
who has never taken solid food
keeps milk-adders
as house-pets
Drools (mouth waters)
in her sleep
mmummbles mumbles prophecy
Don’t listen
The temple owns her
She was chosen at birth
by the oracle
who judged her worth
She was suckled then as now
by the temple wet-nurse
She knows she will die of malnutrition
and venom
of her own volition
No man has ever come to her
nor has she seen male gender
yet the worlds are diverse enough
to stimulate her wonder
As she enters and leaves
her pythic trance
she hears music
a sound which cannot be played
a word which can’t be spoken
In the service of the ineluctable
she is double-pierced
by asp and viper
When she is faint
near to death
she sees and knows
through Gaia’s eyes
as the conduit
for prophecy
Her clientele are obsequious
until she answers their questions
They leave their tribute
then disappear to greedily devour
at leisure
a gift of illusion
of Olympian power
Their chimeran treasures shall evanesce
even as they are gloated over
“Is my husband unfaithful?”
“Will I be rich?”
“Can I profit at everyone's loss?”
“Will my name be remembered in history?”
All of these questions are mysteries
to which we already know the answers
It is not possible
to query the gods
without preconceived scenarios
Each answer weakens her
The voice of the gods is caustic
Each answer drains her life
It is the price for being conduit
Hence being emptied
she longs to be filled
to dance to the beat
of the music
which moves in her womb
She dreams of a binding
a bonding, a finding
of androgyne perfection
a reflection
of one loved unconditionally
From her sapphire center
she sings a song
on a frequency of polyglot urgency
of suffering turned into devotion
“Come find me
Come hear me
Come see me
Come listen
Come share me
Come trust me
Come love me
Come fill me
Come find me”
There are variations in the lyrics
human needs are Cheshire cats
A coin without sides
can never exist
And just so, love
must have its target
The advantage of women?
They know they are half
while men imagine themselves whole
It is her song that the guardians hear
the Phaedriades, the cliffs
which glow in high surround
Incandescent by twilight
the chthonic hour
at which
like Mexican radio
they modulate her amplitude
and boost her power
“I want
I need
I lust
I ache
I suffer
I care
I think
I feel
I cry”
The pythic Snake-Oracle
is the last of her kind
The paternity’s priests will burn her shrine
she knows this is true for she has seen it
As gestalt underlayment in the spirit world
Apollo will slay a lizard
a very small dragon
whose very large gift
was dithyrambic clairvoyance
Within her sheltering laurel bower
Our mantis appears to be gently normal
but she is a snapping twig
a wishing well
a pipe-bomb
in a shopping-mall
a spider spinning the web of the world
a living link to the Goddess
and a danger to Apollo
Her time is ending
as is the time of our hero
Each is the end of their endless line
and has nowhere else to go
Grandmother gathers them, whispering softly
“Truth must be approached obliquely
Your music is written
as Sky and Cloud
and time is as sweet as water”
Like tuning forks
their souls ring out
An azure thread binds them
on the Peloponnesian Sea
not this century
While under the forest canopy
he dreams white stone
white dust
white female
Diverted now from reverie
Waif’s attention is caught
by a flash, a glint
from Itea, the Sea
“A traveler perhaps”
and with the thought
the ray of light into her eye
impregnates her, not with child
but with possibility
Our piquant oracle
is a cornucopia
night to hero’s day
This conjoined choir
is a duet for marimba
whose spell in the ether
causes movement called breeze
the winds
of coming home
Alone-In-The-Dark
will extinguish their flames
but not before
she has given them names
The oracle she calls
‘All-Gifts’
Time’s protege, her shining boy
receives the name
‘Filled-With-Joy’
His lucency
is a torch in her darkness
chasing at her shadows
Nothing now is left unseen
nor unheard, untouched
ungiven, unshared
unanswered, unredeemed
From fertile light springs fecund garden
Lo! She gains omniparience
Her lambent being is a moth
whose wings beat at his beauty
fanning him to lickerousness
inspiring knowledge of prior lives
He writhes when she writhes
acquiring the Divine Eye
moans when she moans
entangled in twelve knots of dependent origination
Lo! He gains omnipresence
Their gossamer drama has played to an end
Great Snake and Great Puma fade away
all that remains is faint melody
Hero opens his eyes to see
The International Space Station overhead
lustrous at perigee
Or perhaps it’s the last
of the spirit canoes
against deep space and brilliant stars
Heads-Around-His-Neck sings
“Now it is done
Now it is done
The healing is done
The healing is done
Now cool water
Now cool water
Now it is done
Now it is done”
Filled-With-Joy is helped to sit
offered manioc beer, sweet potato
and grubs from rotted chonta palms
while dawn’s gravid messenger
stirs the wind
sending spirits rattling about for shelter
This day is his
not theirs
holding promise and illumination
Daybreak
twilight doorway into corridors
of simultaneous being
softly defined and quickly passing
gray teacher of simple lessons
Nothing matters
Nothing lasts
Who is dancer?
Who is danced?
The trembly tenor
of the continuum shifts
The strings of the Universe murmur
One being has seen herself mirrored
in the clarity of another
Her cellular ocean
ripples with pleasure
All-Gifts knows her refulgent child
will be named ‘Completion’
On a beach, on a bend
of Great Mother River
Filled-With-Joy’s last memory
a second set of footsteps beside his
Smoothed by the waves
the waves
Then and anon
Butterflies dancing
in morning sun
The currency of the deep world is performance
The single quality of time is poignance
It may seem our players went to extremes
but they were bound by their cultures
as are we
Our duty is clear
to make no assumptions
refrain from judgment
and follow our dreams
The man and the woman
lift their heads
from a sleep so deep
they might have been dead
Caught between worlds
as images fade
Each turns toward the other
to ask the words
����������������������� “Where are we?”
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Nominated in the community generated category #mythopoetics, Duet for Marimba, a part of the top ten nominated pages from this issue, finishes competition on 2/18/14 with an overall standing in position 37 among more than 3,500 nominees. Congratulations to Brian Landis on this fine achievement. Also look for the poem publishing in Feathered Ladder: Selected Poems , California: Fisher King Press, March, 2014.
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