Annual Reflections In Depth Perspectives
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The New Hoop -Sara Munro
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Iconic, symbolic, and historic, the “hula hoop” has returned to the main stage of public consciousness. It’s official. Michelle Obama swiveled her hips with children on the White House Lawn to promote healthy eating and life-styles.1 In a culture that promotes consumption of processed, preserved food laden with chemical additives while interacting with cathode-ray tubes and computer screens this seems noteworthy. Is it possible that a new era of health consciousness that embraces the power and usefulness of something as simple as the hoop emerges? An ancient and modern toy, the hoop may not appear to offer much that’s new or relevant. The Egyptians wound grape vines together to create looped toys, the Australians used wooden hoops in P.E. classes in the ‘50s, and Whamo sold over 100,000,000 million hoops in one year before the trend rapidly fizzled. Many recall the product’s sky-rocketing ascension, the public’s obsession followed by its quick denouement, only to dismiss the hoop phenomenon as another example of American mania and an over enthusiasm for things without substance. News of the First Lady hooping on the White House lawn does not mention that for over a decade now, a small fringe group of creatives, has been working and playing with slightly modified version of this circular tubing and revolutionizing its uses and applications. This ingenious lot made a few simple yet significant changes to what most think of as the Whamo kid’s toy, the “hula hoop.” Bringing it “back to the garage,” where Richard Knerr and Arthur Spud Melin re-invented it over 50 years ago, these new hoopers use materials purchased at the hardware store they hand built a bigger, heavier hoop and wrapped it in friction tape. These changes have not only made hooping easier and more fun, but have allowed for entirely new experiences. The hoola hoop has become, simply, “the hoop.” By bringing their bodies, minds and spirits into relationship with the hoop, today’s hooping pioneers are opening a new portal for exploration of fun, fitness, and self-expression. From exercise and fitness, meditation, dance and self-expression, hooping can be applied to meet specific outcomes in a wide variety of settings. From ice breaking, creativity enhancement, team building in the corporate environment, to children’s physical education classes, to fitness and dance for adults. Those who have creatively embraced the hoop have done everything from losing weight, to reclaiming their sensuality, to finding joy in their bodies. They’ve created teacher certification programs, performance troupes, educational programs for children, and offers for the corporate environment. Many light hoops on fire in performance and dance with this sacred element that changes matter into energy. Celebrities like Beyonce hooped in her music video, Marissa Tomei appeared on the Ellen Degeneress show announcing she used the hoop to get in shape for her role as a stripper in “The Wrestler.” This is just the beginning. Go to hooping.org and you’ll find an extensive list of small privately run hooping outfits purveying hoops and their benefits. Undoubtedly, the hoop is making an unprecedented comeback. This re-emergence suggests there is more to this plastic play thing than meets the eye, and that the American public is ready to take a step deeper into its spinning circle. It is common knowledge that being physically fit has mental benefits. As the west embraces yoga, mostly from a practice of physical asana, we slowly begin to understand that being present in our bodies directly affects our spiritual lives. But very few fitness tools are known for both their qualities associated with the spiritual path and physical fitness. The hoop presents a practice uniting fitness and transformation. The spiraling, mind-body-spirit journey goes far beyond the obvious physical benefits. Through the hooping experience and committed practice of hooping, one discovers the power of this vehicle to connect with a profound felt sense that simultaneously includes the self yet goes beyond the self. Because the hoop is innately a rhythmic instrument that one plays around the physical body, the process of hooping has the surprising power to draw one into the present, the place where transformation can occur. notes 1Malcom, Andrew. “Michelle Obama Hula-Hooping Our Way To Health,” LA Times on the Web Oct. 21, 2009, Nov. 1, 2009. http://latimesblog.latimes.com/washington/2009/10/michelle-obama-hulahoops-her-way-to-health.html.
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Author Bio Mount Holyoke College graduate, Sara taught writing at Phillips Academy, Andover, and moved to Santa Barbara in 1988 to run the Laguna Blanca School’s drama program. Lifelong passions for movement, teaching and creative expression, merged when Sara started hooping in 2002. Galvanized, she founded Flame Fatale. A professional hoopdancer, she develops and launches hoopdance offers for students, adults and audiences throughout Southern California. She has also worked for outdoor industry leader Patagonia, Yosemite Search and Rescue, and as a reporter for the The Hi-Desert Star. photo courtesy Greg Epperson gregepperson.com Website: www.flamefatale.net Inside This Issue: back |
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